I subtitled this picture “An Internet Safari”. Certainly the text Joyce supplies on page 176 is more ‘inspiring’ in its minute details so that this picture contains as many small details as any previous picture but also larger details and in patches such as images of old used shirts, and a complex right-hand-side of various pages from the past history of art and particularly Cubism and Velázquez. Cubism might seem to many to still be the Modernist ‘style’ of all Modernist ‘styles’ due in part to its ‘experimental’ operations on the visible world and abstractions from it, yet they remain painted stuff and reveal the “aura” of something “painted” and as having that domination of academic metalanguage that smells of platitudes that may be understood according to a guidebook (and all of those Modernist Art Historians who proudly provide such guidebooks, or more often than not Fail to provide such guidance or guidelines through pure ignorance these days in university teaching in the visual arts). An Internet Safari clearly relates to the evidence of imagery in most of my works that lifts imagery from the www. The www is sufficient, up to a point, to provide at least some of the imagery for these works on Joyce and Duchamp because it’s not difficult to see where art and knowledge are going.